![]() ![]() ![]() In this vein, the patronage of American art by the French government of objects that were produced and exhibited in Paris has been addressed. ![]() Barbara Weinberg et al., Americans in Paris: The Academy, the Salon, the Studio, and the Artists’ Colony (Oklahoma City: Oklahoma City Museum of Art, 2003) and Véronique Wiesinger, Arthur Breton, Philippe Grunchec and Isabelle Gournay, Le Voyage de Paris: Les Américains dans les écoles d’art, 1868-1918 / Paris Bound: Americans in Art Schools, 1868-1918 (Paris: Réunion des musées nationaux, 1990). Barbara Weinberg, The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers (New York: Abbeville Press Publishers, 1991) H. (London: National Gallery Company Limited, 2006) Lois Marie Fink, American Art at the Nineteenth-Century Paris Salons (Washington, D.C.: National Museum of American Art, Smithsonian Institution, 1990) H. Kathleen Adler et al., Americans in Paris, 1860-1900, exh. Some scholars have recounted the details of art study in the École des Beaux-Arts and the private ateliers in the foreign capital, considering how the US artists drew from the stylistic and iconographic model of French artistic production. ![]() Research on American artists studying in France has tended to represent three modes of inquiry. ![]()
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